When upscale, happily unmarried San Francisco couple Kate and Brad find themselves socked in by fog on Christmas morning, their exotic vacation plans morph into the family-centric holiday they had, until now, gleefully avoided. Out of obligation-and unable to escape-they trudge to not one, not two, but four relative-choked festivities, increasingly mortified to find childhood fears raised, adolescent wounds reopened…and their very future together uncertain. As Brad counts the hours to when he can get away from their parents, step-parents, siblings and an assortment of nieces and nephews, Kate is starting to hear the ticking of a different kind of clock. And by the end of the day, she is beginning to wonder if their crazy families’ choices are not so crazy after all. (Source)
When upscale, happily unmarried San Francisco couple Kate and Brad find themselves socked in by fog on Christmas morning, their exotic vacation plans morph into the family-centric holiday they had, until now, gleefully avoided. Out of obligation–and unable to escape–they trudge to not one, not two, but four relative-choked festivities, increasingly mortified to find childhood fears raised, adolescent wounds reopened… and their very future together uncertain. As Brad counts the hours to when he can get away from their parents, step-parents, siblings and an assortment of nieces and nephews, Kate is starting to hear the ticking of a different kind of clock. And by the end of the day, she is beginning to wonder if their crazy families’ choices are not so crazy after all. (Source)
Barkley Michaelson is in a deep life rut. He’s struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, Sarah, a renowned forensic psychiatrist, now have the ill-fortune of living with a man-eating monster whose philandering ways have gotten less and less discrete. As if Barkley’s world is not bad enough, on the eve of his father receiving the Nobel, Barkley is kidnapped and the requested ransom is the $2,000,000 in Nobel prize money. Needless to say, Eli refuses to pay it and so starts a venomous tale of familial dysfunction, lust, betrayal and ultimately revenge. (Source)
Will Ferrell and John C. Reilly, who last teamed in the box-office smash Talladega Nights: The Ballad of Ricky Bobby, now star in Step Brothers, directed by Adam McKay (Talladega Nights). In Step Brothers, Ferrell plays Brennan Huff, a sporadically employed thirty-nine-year-old who lives with his mother, Nancy (Mary Steenburgen). Reilly plays Dale Doback, a terminally unemployed forty-year-old who lives with his father, Robert (Richard Jenkins). When Robert and Nancy marry and move in together, Brennan and Dale are forced to live with each other as step brothers. As their narcissism and downright aggressive laziness threaten to tear the family apart, these two middle-aged, immature, overgrown boys will orchestrate an insane, elaborate plan to bring their parents back together. To pull it off, they must form an unlikely bond that maybe, just maybe, will finally get them out of the house. The screenplay is by Will Ferrell & Adam McKay from a story by Will Ferrell & Adam McKay & John C. Reilly. Jimmy Miller and Judd Apatow produce.