Even the Rain
TAMBIEN LA LLUVIA sets up an intriguing dialogue about Spanish imperialism through incidents taking place some 500 years apart, while examining the personal belief systems of the members of a film crew headed by director Sebastian (Gael Garcia Bernal) and his producer Costa (Luis Tosar) who arrive in Bolivia to make a revisionist film about the conquest of Latin America. Set in February and March of 2000 when real-life protests against the privatization of water rocked the nation, the film reflexively blurs the line between fiction and reality in what Variety calls "a powerful, richly layered indictment of the plight of Latin America's dispossessed." Carlos Aduviri is dynamic as a local who is cast as a 15th century native in the film, but when the make-up and loin cloth come off, he sails into action protesting his community's deprivation of water at the hands of the government. Meanwhile, Gael Garcia Bernal's Idealist film director is as relentless as Werner Herzog infamously was in making FITZCARALDO, pushing ahead against all odds, ignoring the prevailing danger about to disrupt at any moment. Despite the devastation emerging around him, Sebastian seems unable to engage with any emotion over than a dogmatic desire to get his film done. And of course, the film also recalls themes in Herzog's AGUIRRE, THE WRATH OF GOD and the film-within-a-film scenes are as brutal as any in APOCALYPTO. (Source)
A pair of obsessive filmmakers end up embroiled in a modern revolt against multinationals in the "water wars" brought on by forced privatization of Bolivian public water companies. (Source)
The politics of the past and present begin to merge during the making of a motion picture in this drama from director Icíar Bollaín. Spanish movie director Sebastián (Gael García Bernal) and his producer Costa (Luis Tosar) have arrived in Bolivia to shoot a picture about Columbus' exploration and exploitation of the New World. While Sebastián has come to Bolivia for realistic scenery, Costa has chosen the location for the cheap and abundant supply of labor. An open casting call for extras attracts far more people than the picture needs, but when Costa tries to send them away, one would-be actor, Daniel (Juan Carlos Aduviri), makes a strong and eloquent case for fair treatment of the locals, and Sebastián casts him as Hatuey, the chief of a native tribe who fought the invading Spaniards. As Sebastián stages scenes of revolt against would-be colonists, a real battle is brewing in Colombia -- the government has privatized the national water works, and the price of water has jumped by 300 percent, leading to protests and riots in the streets of Cochabamba. Daniel is one of the activists protesting price gouging for something as essential as water -- will Sebastián and his colleagues join him in speaking out against this injustice? También la Iluvia (aka Even the Rain) was an official selection at the 2010 Toronto International Film Festival. - Mark Deming, Rovi (Source)
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