I Saw the Devil
Lee Byung-hyun (The Good, the Bad and the Weird) stars as Dae-hoon, a special agent whose pregnant wife becomes the latest victim of a disturbed and brutal serial killer, captivatingly played by Oldboy's Choi Min-sik. Vowing revenge, Dae-hoon blurs the lines between hunter and hunted and good and evil, eventually becoming a monster himself in his twisted pursuit of revenge. From Korean genre master Kim Jee-woon (The Good, The Bad and The Weird and A Tale of Two Sisters) I SAW THE DEVIL is shockingly violent and stunningly accomplished, transcending the police procedural and pushing the boundaries of extreme Asian cinema in surprising and thrilling new ways. (Source)
A special agent goes on a vicious rampage of revenge when his pregnant wife becomes the latest victim of a disturbed and brutal serial killer. (Source)
Lee Byung-hyun ('The Good, the Bad and the Weird') stars as Dae-hoon, a special agent whose pregnant wife becomes the latest victim of a disturbed and brutal serial killer, captivatingly played by 'Oldboy''s Choi Min-sik. Vowing revenge, Dae-hoon blurs the lines between hunter and hunted and good and evil, eventually becoming a monster himself in his twisted pursuit of revenge. From Korean genre master Kim Jee-woon ('The Good, The Bad and The Weird' and 'A Tale of Two Sisters') 'I Saw the Devil' is shockingly violent and stunningly accomplished, transcending the police procedural and pushing the boundaries of extreme Asian cinema in surprising and thrilling new ways. (Source)
Lee Byung-hyun ("The Good, The Bad and The Weird") stars as Dae-hoon, a special agent whose pregnant wife becomes the latest victim of a disturbed and brutal serial killer, captivatingly played by Oldboy's Choi Min-sik. Vowing revenge, Dae-hoon blurs the lines between hunter and hunted and good and evil, eventually becoming a monster himself in his twisted pursuit of revenge. From Korean genre master Kim Jee-woon ("The Good, The Bad and The Weird" and "A Tale of Two Sisters"),"I Saw the Devil" is shockingly violent and stunningly accomplished, transcending the police procedural and pushing the boundaries of extreme Asian cinema in surprising and thrilling new ways. (Source)
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