Shrink
What happens when the people we count on to hold us together…are barely holding it together themselves? Jonas Pate’s Shrink is a striking, fast-paced exposé of the “other” Hollywood, featuring folks living outside their comfort zone and the people who put them there. Henry Carter (Kevin Spacey) is a psychiatrist with an A-list clientele, including a once-famous actress (Saffron Burrows), an insecure young writer (Mark Webber), and a comically obsessive-compulsive superagent (Dallas Roberts). Henry is not in a good place, however. He has been asked to take his first pro bono case, a troubled teenage girl from a neighborhood far from the Hollywood hills. Considering his present state of mind, is he ready for the real-life troubles of a young woman who loves the world of movies he has become so jaded by? At its core, Shrink is a study of control and our endless need for it, even when it grows increasingly impossible to obtain. Writer Thomas Moffett uses classic archetypes in this modern Hollywood tale, but never pushes them over the edge of credibility. Performed by a well-matched cast at the top of their form, the result is both satisfying and exhilarating. Watching Shrink makes us feel like voyeurs looking through a window into the lives of people who look great, feel worse, and end up behaving badly. (Source)
A psychiatrist with an A-list clientele - a once-famous actress, an insecure young writer, and an obsessive-compulsive super agent - is barely holding together himself. (Source)
A jaded psychiatrist takes on a pro bono case that puts his professionalism to the ultimate test in director Jonas Pate's knowing exposAc of the "other" Hollywood. Between sorting through the insecurities of a fading film starlet (Saffron Burrows), a struggling writer (Mark Webber), and an obsessive-compulsive talent agent (Dallas Roberts), A-list psychiatrist Henry Carter (Kevin Spacey) barely has the time to deal with his own problems. Suddenly, into the middle of Henry's malaise wanders a troubled teen who's never even set foot in the Hollywood Hills. This is Henry's first pro bono client, and considering his current state, he's not sure that now is the best time to be taking on more work. While Henry is jaded by Hollywood, his newest patient is obsessed with it. Faced with the challenge of helping a young girl through a particularly difficult time in her life, Henry does his best to remain professional despite harboring some rather serious misgivings during their first few sessions. - Jason Buchanan, All Movie Guide (Source)
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